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Harvey Brooks (born Harvey Goldstein; July 4, 1944 in Manhattan, New York) is an American bassist. He has played in many styles of music (notably jazz and popular music). Brooks came out of a New York music scene that was crackling with activity in the early 1960s. One of the younger players on his instrument, he was a contemporary of Felix Pappalardi and Andy Kulberg and other eclectic bass players in their late teens and early 20s, who saw a way to bridge the styles of folk, blues, rock, and jazz. Al Kooper gave Brooks his first boost to fame when he asked him to play as part of Bob Dylan's backing band on the sessions that yielded the album ''Highway 61 Revisited'' — in contrast to the kind of folkie-electric sound generated by the band on his previous album, ''Bringing It All Back Home.'' Producer Bob Johnson and Dylan were looking for a harder, in-your-face electric sound, and Brooks, along with guitarist Michael Bloomfield and organist Al Kooper, provided exactly what was needed on one of the most famous recordings of the 1960s. Brooks was also part of Dylan's early backing band which performed to great notoriety at Forest Hills, Queens and the Hollywood Bowl in 1965. This band also included Robbie Robertson (guitar), Al Kooper (keyboards) and Levon Helm (drums). From the Dylan single and album, which became two of the most widely heard (and, at the time, most controversial) records of the 1960s, Brooks branched out in a multitude of directions, as he went on to play on records by folk artists like Eric Andersen at Vanguard Records, Richie Havens and Jim & Jean at Verve Records, transitional electric folk-rockers such as David Blue (whose producer was looking for a sound similar to that on ''Highway 61 Revisited''), and various blues-rock fusion projects involving Bloomfield and Kooper. Brooks played on Cass Elliot's debut solo album ''Dream a Little Dream'' (1968), and also on The Doors ''Soft Parade'' album on the songs "Touch me", "Tell all the people", "Wild Child" and "Wishful Sinfull". Producer Paul Rothchild wanted to give the Doors a fresh sound. He hired Harvey to play and help organize the rhythm tracks and Paul Harris to write some string and horn arrangements. Harvey also played live with the Doors at the Forum in LA and Madison Square Garden in New York and was very visible on the Michael Bloomfield/Al Kooper/Steve Stills ''Super Session'' release, one of the iconic records of late 1960s rock music. His song "Harvey's Tune" appeared on this album. ==Blues-rock and jazz fusion era== It was through his participation in The Electric Flag, an extension of Michael Bloomfield and Barry Goldberg's interests in blues, that Brooks' career took an unexpected turn. The Flag only lasted in its original line-up for about a year, and much of that time was spent recording a sound track album to the film ''The Trip'' starring Peter Fonda, Dennis Hopper, Susan Strasberg & written by Jack Nicholson and "The Electric Flag, An American Music Band." After the Electric Flag disbanded Brooks took up temporary residence at the Chateaux Marmont Hotel on the sunset strip. From there he recorded on the Doors "Soft Parade" and, Cass Elliot's "Dream A little dream of me" album and then headed east to join up with Crosby,Stills & Nash in Sag Harbor New York. Though the CS&N didn't work out, both Brooks and Paul Harris moved over to John Sebastian's house also in Sag Harbor for pre-production on "John B Sebastian". The album was recorded at the Hit Factory and Brooks was back home. After buying a loft in what was to become Soho, Brooks got a call from Vice president of Columbia records Jack Gold offering him a job as staff producer at Columbia Records and connected him there with fellow producer Teo Macero who led him to Miles Davis. Working with Davis involved Brooks in a freer manner of making music than he'd been used to even on the most ambitious sessions with Bloomfield, though it also meant butting up against Davis' ego, personality, and musical sensibilities as a bandleader. Brooks worked with the legendary jazz trumpeter long enough to contribute to the ''Bitches Brew'' and ''Big Fun'' albums as well as several unreleased tracks. On these sessions two bassists were used; Brooks played electric bass while Dave Holland simultaneously played the acoustic bass. From that point on — between the Dylan, Davis, Electric Flag, and Bloomfield and Kooper connections — Brooks' career was made. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Harvey Brooks」の詳細全文を読む スポンサード リンク
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